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  1. Hizume - Christmas Eve 1987
  2. Lore

Nyarlathotep: Comprehensive Lore Reference

Names and Titles

  • Primary: Nyarlathotep

  • Common Epithets: The Crawling Chaos, The Haunter of the Dark, God of the Bloody Tongue, The Black Pharaoh

  • Others: Messenger of the Outer Gods, Soul and Messenger of Azathoth, The Faceless One, A Thousand Masks

Classification
Outer God in the Cthulhu Mythos. Unique among them: possesses intelligence, personality, and active malice. Serves as messenger, agent, and executor for the mindless Outer Gods (especially Azathoth). Enjoys manipulating and tormenting humanity.

Description
No true form; manifests via 999+ avatars/masks (exact "thousand" symbolic). Common traits: tall, dark-skinned human-like in many forms; exudes charisma, menace, madness. True essence: crawling chaos—shapeless, tentacled horror. Unlike indifferent gods, actively seeks to deceive, corrupt, and drive mortals insane for amusement/power.

Key Avatars/Masks

  • Black Man (medieval Europe): Dark-skinned satyr-like figure; leads witch covens.

  • Black Pharaoh (ancient Egypt): Pharaoh Nephren-Ka; dark-skinned ruler teaching forbidden lore.

  • Haunter of the Dark (modern): Bat-winged, three-eyed shadow entity; summoned via Shining Trapezohedron; fears light.

  • Bloody Tongue (Africa/Congo): Gigantic, red-tentacled beast with fanged mouth; leads blood cults.

  • Beast (ancient Egypt): Howling, sphinx-like creature.

  • Others: Black Bull (Middle East), Dweller in Darkness, Faceless God (Innsmouth link), modern tech-prophet (electricity demonstrations).

Family and Offspring

  • Direct offspring/child of Azathoth (via blind chaos emanation; no mother).

  • Only Outer God progeny with will/personality.

  • No known mates/offspring; focuses on manipulation rather than procreation (contrast Shub-Niggurath).

Appearances in Lovecraft's Works

  • Prose poem "Nyarlathotep" (1920): Dark-skinned "showman" arrives from Egypt; demonstrates electrical wonders, spreads unrest/madness; leads apocalyptic procession.

  • "The Dream-Quest of Unknown Kadath" (1927): Messenger of Outer Gods; taunts Randolph Carter.

  • "The Dreams in the Witch House" (1933): Black Man in witch rituals.

  • "The Haunter of the Dark" (1935): Full avatar story; possesses/slays Robert Blake.

  • "Fungi from Yuggoth" sonnet cycle: References as chaos messenger.

Cult and Worship
Most widely worshiped Outer God due to active interaction. Cults global, diverse: Egyptian mystery schools, witch covens, African blood cults, modern doomsayers/tech sects. Practices: Human sacrifice, madness-inducing rituals, forbidden knowledge. Grants power/magic but demands service; delights in betrayal. No unified church—thousand fragmented masks.

Role in Mythos
Antagonist archetype: The "devil" figure—tempter, trickster, bringer of apocalypse. Represents active evil vs. cosmic indifference. Manipulates events (e.g., inspires technology leading to downfall). In RPGs (Call of Cthulhu): High-intelligence summonable entity; avatars have varied stats/powers.

Key Quotes

  • "Nyarlathotep" prose: "And it was then that Nyarlathotep came out of Egypt... a man of the dark... who bubbleth the hideous."

  • "The Haunter of the Dark": "Iä! Nyarlathotep!"

  • General: "The Crawling Chaos... is the soul and messenger of the Other Gods."

Notes for Reference

  • Lovecraft's intent: Inspired by Tesla (showman aspect); embodiment of chaos with purpose.

  • Expansions (Bloch, Derleth, Lumley, RPGs): Expanded avatars (e.g., Bloody Tongue from Bloch/Chaosium).

  • Themes: Human hubris, forbidden progress, personal malice in uncaring universe.