From the Private Papers of Vlad Dracula — The Throat of Hope
At the center of the Storm’s Eye there is a place even my maps hesitate to name.
They call it The Throat of Hope.
I did not give it that title. I would never indulge such optimism. Humans did, in the way drowning men insist on naming the water.
The chasm is vertical, not like a wound torn sideways across the land, but like a deliberate puncture—clean, deep, intentional. Its mouth never closes. Metallic dust circulates endlessly within it, a storm that does not travel, does not dissipate, does not exhaust itself. The air screams. Sound is flayed apart before it reaches comprehension. Even thought arrives there frayed.
The dust is silver-laced. Not pure—nothing here is pure—but enough to make vampiric blood behave badly. Hunger misfires. Strength turns brittle. Memory stutters. I do not forbid entry because it is dangerous. I forbid it because it is inconvenient. Fear is unreliable. This place is worse: it is uncooperative.
At the bottom—if “bottom” is even the correct term—there is stillness.
A spire of crystallized storm rises from the chasm floor, lightning frozen into architecture. The wind dies there. Dust falls away. Silence presses so tightly it feels like pressure. And embedded in the stone is the thing they whisper about in fragments and prayers:
A blade.
Silver. Engineered and ancient in equal measure. Not forged—condensed. Affectations layered over something far older, like a corpse dressed for a masquerade it never agreed to attend. Gears that do not turn. Channels that hum without power. A weapon housing a choir of dead heroes who have not yet realized they lost.
They say it was thrown to earth to pierce the heart of the coming night.
They flatter themselves.
If it were meant for me, it would not wait patiently to be lifted.
Humans descend into the Throat to test themselves. They call it courage. I call it desperation refined into ritual. They bleed. They break bones. They lose friends to the dust storms. Most never reach the spire. Those who do rarely survive the attempt to pull the blade free. The few who touch it and live come back altered—quieter, heavier, convinced of something they cannot articulate.
Vampires do not go.
Not because we cannot. Because we understand refusal.
The weapon does not reject us violently. It does something worse: it refuses to recognize us as meaningful. The dead inside it do not scream. They do not react. They simply withhold resonance. There is no greater insult to immortality than indifference.
So I watch from afar.
I allow the myth to breathe. I allow resistance cells to orbit the chasm like moths around a star that burns only those who approach incorrectly. I allow the belief that this is the answer, the final lever, the decisive end.
Hope that concentrates into a single location is easy to manage.
Hope that disperses is not.
The Throat of Hope does not threaten my reign because it promises too much. It waits for a hand strong enough, a will clean enough, a moment aligned enough to justify its existence. Those conditions have not occurred. They may never occur.
And if they do—
Then the world will have earned what follows.
Until then, the storm continues to scream around a silence that refuses to explain itself.
Which is, I think, the most honest monument humanity has ever built.