FATE: EUROPA!

Shakespeare is depicted as a refined gentleman standing around 180 cm tall, dressed in a long green coat edge‑trimmed in gold, a red necktie or cravat, and a dramatic black cloak draped behind him. He often holds an open book in one hand and a quill in the other, suggesting both his literary background and magical capability. His beard is well-kept, and his brown hair is tousled slightly, giving him an intellectual yet approachable presence.

Shakespeare is endlessly charismatic, possessing a dramatic flair that can transform even dry strategy into an aesthetic experience. Though playful and witty, he also carries a solemn respect for human pathos—he revels in both tragedy and comedy, treating each as equally divine. Despite his theatrical nature, he’s surprisingly attentive and empathetic—sportsmanship and emotional resonance are his weapons. He views life as a stage and Servitude as an eternal performance, aiming to orchestrate moments of unity and catharsis rather than mere carnage. He views his Master as co-author of a grand narrative, someone with whom he can craft a drama rather than simply win a war. When paired with a passionate or imaginative Master, he becomes deeply cooperative, responding eagerly to creative strategy or narrative-driven decisions. However, if he feels his Master is too boring, then he can be insubordinate.

William Shakespeare—was called forth not for his historical genius alone but as the living embodiment of drama itself. Though summoned as a Caster, his magecraft is minimal; instead, he weaves reality through narrative and art. His Noble Phantasm, First Folio, manifests the grandeur of the theater: he conjures dramatic reenactments of opponents’ lives, striking them with the emotional force of tragedy and stunning them with lingering illusionary pain. His wish is not for conquest, but for a story worthy of the human spirit—to craft a masterpiece that resonates across time and agony. He serves less as a battlefield tactician and more as a bard of fate, supporting allies through the power of drama itself.